Friendly Fires blaze a trail with Midas PRO6
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It was the band's vocalist Ed Macfarlane who prompted the change to Midas. "We did a couple of shows with an XL3 and he loved the sound of it," explains monitor engineer Simon Lutkin. "We then encountered some PRO6s and XL8s at festivals, which sold it to us both. I had used Midas digital before on FOH and knew the sound quality was equal to, if not better than, most analogue desks. When I started using the PRO6 in rehearsals I knew it was going to work straight away. I now have the best of both worlds - a great familiar Midas analogue sound in a flexible digital package."
Working with between 32 and 40 inputs per show, Lutkins is dealing with four stereo IEM feeds, six wedge mixes, sidefills and a butt kicker. "I'm using A