Strand Sets Up London Base
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Among the senior personnel based at SW6 will be Ivan Myles, Vic Gibbs, Bill Richards and Lucien McQueen, while Strand has now appointed James Vaughan as sales administrator.
Among the senior personnel based at SW6 will be Ivan Myles, Vic Gibbs, Bill Richards and Lucien McQueen, while Strand has now appointed James Vaughan as sales administrator.
Harrison was nominated for his designs for The Witches of Eastwick and To The Green Fields Beyond, Henderson for All My Sons at the National Theatre, Pyant for Hamlet, also at the National, and Vanstone for The Cherry Orchard at the National and The Graduate in the West End. Of the set designers, Christie was nominated for Baby Doll at the National and then in the West End, Dudley for All My Sons, Howell for The Caretaker and Thomson for The King and I, covered in L&SI’s June 2000 issue.
The National’s revival of All My Sons took the most nominations of any production, with its six
The ‘Closed’ sign has at last been hung and all that remains before the new owners move in is to clear the place. Ironically, the auction of its contents will in all probability attract more interest than the attraction itself. Auctioneer Henry Butcher International has been appointed to dispose of the Dome’s contents. Under the hammer goes all the lighting, audio visual, broadcast and sound equipment, restaurant and catering equipment, stage equipment and office furniture. Even the equipment from the world famous Millennium Show will be for sale including stage and acrobatic props, costumes and rigging.
The assets are to be disposed off over the next three months by both Private Treaty and Public Auction. The Private Treaty sale
Dave Bryant of Midnight Design thought manna had fallen from heaven to be offered such a broad canvas as the Power Station: "I knew immediately I wanted to create a design that reflects the power and majesty of the architecture," he said. "The sheer scale of the building exterior has made this a very challenging project."
In keeping with Bryant’s constant search for innovation, Midnight Design is the first company in the UK to purchase the latest Studio Due City Beams from Coe-Tech, included as part of the design. "The City Beams are idea
Designed by Fitch & Co, owner Mark Zammit confirmed that the combined film, food and fashion development will have cost Embassy Ltd around £9 million. The cinema features Martin Audio purpose-designed sound reinforcement throughout the six theatres. These were recommended to Mark Zammit by cinema consultant Mike Beeny.
Mike Beeny explained: "Embassy were very keen to have state-of-the-art sound and stadium seating, so during a visit to the UK, I took them to the 20-screen UCI Cinema in Trafford. The biamped Martin system represented almost exactly what they had decided to opt for." The result is a combinatio
Jamie Engen, CEO of
The 12 international companies signing on as Authorized Color Kinetics Master Distributors are: Alto (Korea), Asas Lights (Malaysia), DMS (Turkey), Exton (Ice
Jan Robert Midtbø, general manager of Norsk Sceneteknikk, commented: "Over the last two years we have dry-hired equipment from the Stockholm office, and thanks to their back-up and our own expertise we found ourselves dealing with most major customers in the Norwegian concert and TV market." Vari-Lite plans to expand the sales dealer network over the coming months.
Bandit Lites is also the worldwide lighting contractor for the Carman Heart of a Champion World Tour. Lighting designer Seth Jackson is using 12 MAC 250 and 13 MAC 500 profile spots along with 32 MAC 300s and seven MAC 600 washlights. This massive arena tour is slated for 69 stops in arenas and other large venues in the US and Europe. Seth Jackson will also be doing the lighting design for the upcoming Melissa Etheridge tour which starts
To use the service, members simply call the PLASA office, and are then given the telephone, fax or e-mail address of CP Associates. They are then entitled to 15 minutes of free advice on any one subject. Where
His core lighting design core revolved around making the DJ booth altar-like in appearance. It was raised up from the stage decking, which in turn was 1.5m above the dancef