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14 March 2016

Preparation time for the festival was limited as the event grounds had hosted another performance right before, so the technicians had to dismantle the previous installation and create a new rig for IDOL using 64 MAC 101s, 20 MAC Viper Profiles, 24 MAC Auras, 12 MAC III Washes, six MAC III Performances, 10 MAC III AirFXs, 12 Atomic 3000 DMXs with Atomic Colors, two Glaciator X-Streams, a Jem Hydra with 12 heads, and six Jem K1 Hazers with six AF-1 fans.

"The fixture park of Th

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14 March 2016

Production lighting manager Kent Hellberg explains, "Since I acquired the first P-5, every production in the house seems to want them."

Currently being deployed for the production of Mozart's Le Nozze de Figaro by lighting designer Giuseppe di Lorio, the luminaires are washing the backdrop as an essential part of the opera. But Hellberg has other lighting designers also queuing up to utilise the P-5s. "Every lighting designer that I've shown the P-5 to has been impressed," Hellberg confirms.

The P-5s have therefore been used for different projects - for instance for a dance company, where the Japanese choreographer wanted a strong even colour output; and that

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14 March 2016

"This is a merger of two innovative and professional companies which have a history of successfully working together over the last six years," says Truss UK director Paul Jordan. "Both companies have a very high standard of products and services with very similar work ethic and philosophy for doing business, with a track record for providing excellent products and customer service."

Fellow director Tony Dickson comments: "This union reflects both companies' commitment towards sustainable growth creating a world class inn

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14 March 2016

Founded in 1996, the multi-awarding-winning WaterTower Theatre is a not-for-profit professional theatre company that produces six main stage shows each season alongside award-winning educational and community outreach programmes.

Earlier this year Fred Mikeska and Darrell Barnes of A.C. Lighting (ArKaos' US distributor) took Arkaos MediaMaster Pro to The Addison Theatre Centre where they presented a full demonstration of its capabilities to technical director, Scott Guenther, and lighting designers, Dan Schoedel and Jason Foster. "The team at Addison Theatre Centre was evaluating different media server options that would meet the venue's diverse requiremen

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14 March 2016

The Fetisov Arena is a crowning part of that entertainment emphasis. Opened in 2013, and built to accommodate 7,500 people (Vladivostok has a population of almost 600,000), it is home to the Admiral ice hockey team and also regularly hosts exhibit

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14 March 2016

The Slaughterhouse is a well-known haunted house in Tucson and because the event was held on Halloween weekend Creative BackStage wanted to create a design that represented the ghoulishness of the holiday as well as the Fear Fest festival.

"The idea was simple, to use LED video screens for eyes and a mouth with video images that would be of the fear kind with monster eyes and teeth or devilish eyes," explains John Garberson, owner of Creative Backstage and lighting desi

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14 March 2016

Bennett uses huge banks of A.leda B-EYE K20s and Sharpys to light the set to deliver a wealth of vibrant, multi layered, multi-faceted and lively looks. Supported by lighting director Whitney Hoversten, who has taken the show on the road, Bennett specified 107 x Clay Paky B-EYEs and 83 x Sharpys, all supplied by PRG, to create the show's high octane, rave style atmosphere.

"My first thought when it came to creating the rave style concept was that the audience has to be fully immersed in the show and become part of it," says Bennett. "I chose the Clay Paky B-EYEs for their versatility and unique personality, they are the icing on the cake tools that add all the det

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14 March 2016

For the first time, Smith is using Robe's CycFX 8 moving LED battens, together with 10 x Pointes. He had previously used Pointes on a Fitz And The Tantrums tour, was impressed, and so when this design came up, he immediately specified them again.

The rig had to be scalable to deal with the variety of venues on the itinerary - from clubs to theatres of capacities between 1000 and 3000 - and to guarantee they always had their proper lightshow.

Smith wanted to introduce architecture and shape to the stage, as well as develop a concept that worked as a comprehensive floor package in conjunction with any overheads utilized from the venues' house rigs.<

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14 March 2016

Working in close partnership with NG Bailey and their client, CIE-Group were engaged to provide full on-site consultation service, consisting of site survey, technical output specification and system design to deliver a number of solutions to suit a variety of budgets and address the problems of a large scale legacy site.

CIE's solution was to specify a system based around their bra

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14 March 2016

Highly experienced Vari-Lite trainer for EMEA Coral Cooper was hosting the hands on session, where the VL4000 Spot luminaires were disassembled to the sub-assembly level to demonstrate ideal maintenance techniques. Cooper also explained the VL4000 Spot luminaire's broad range of features, informing the end users and potential customers at the session on how to maximise its vast potential.

Among the attendees was James Ashdown, Director at Automated Ltd. "The VL4000 is a multi-featured fixture, with all the tools a lighting designer needs in one," says Ashdown. "I'm very pleased to see that Philips Vari-Lite has included a four bladed shutter module into the fixture without losing any other features.

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14 March 2016

The landmark project covers 12 individual sites programmed as one to create an intricate, synchronised light show that boasts more than 40,000 pixels and 57 universes to control and schedule them.

In total, 2140 individual products were designed and installed.Key elements include: 14m 'Melbourne' sign in the forecourt; 140m double-sided light projections beneath the elevated roadway; 60m canopy lighting within pedestrian bridges, plus light in shell canopies and trees; interactive 'light shower' that bathes visitors in blue light, inspired by research into its effects on the circadian rhythm.

Specialised programming across

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14 March 2016

Introduced in 1939, the 55 Unidyne was internationally adopted as a workhorse microphone for broadcast, public address, recording, and two-way radio applications. By the 1950s it was so well known that it was marketed as "the microphone that needs no name". And even in the 21st century, its design symbolises what many think of when they hear the word "microphone".

To this day, the 55 Unidyne - the first directional microphone to use a single dynamic element - continues to influence dynamic microphone designs across the globe. This fact was recognised by the international Institute of Ele

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14 March 2016

Nuage is already highly regarded by the post-production industry, but Yamaha's experience with live and studio mixing consoles meant that its potential to be an industry-leading solution for music production has long been recognised. This potential has now been realised, thanks to the Nuage v1.6 software update, which delivers high-level integration with Cubase Pro 8, including full access from Nuage Fader and Nuage Master units.

Cubase has been a benchmark of music production software for the past 25 years and Cubase Pro 8 is its most advanced version yet. One of the flagship features is its VCA faders

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14 March 2016

BRIC was founded in 1976, its links to the Strand Theatre going back to the 1990s. The former vaudeville, movie and opera venue was gutted in the 1950s, after which it was put to various leisure and industrial uses, notably as a glass factory. BRIC began using part of the venue in 1993 and, after nearly two decades of planning, a $40m refurbishment of the Fulton Street building has delivered a contemporary, flexible, multi-disciplinary arts and media centre, designed to support artists and engage the public.

As well as BRIC, the venue is home

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14 March 2016

The Barclays ATP World Tour Finals is the year-end climax to the men's professional tennis season, featuring only the world's best eight qualified singles players and doubles teams as they battle it out for the last title of the season.

Creative Technology (CT) has been supplying equipment to the Barclays ATP World Tour Finals since 2009; the first year they were held at the current venue.

The sports presentation involved all of the usual display elements as provided by CT. This included 230 linear metres of LED courtside banner, 160sq.m of flown LED in the form of an eight-sided gondola hung above the court and a 90sq.m IMAG screen.

Key to maximising the potential of all the display technology in the arena is the event control sy

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14 March 2016

Introduced by Artistic Licence into the public domain in 1998, Art-Net transformed the lighting control market by removing the channel restriction of DMX512. The protocol enabled multiple universes of data to be transported over a single ethernet cable, a necessary development as channel-hungry RGB LED fixtures became widely adopted.

Art-Net has always been non-proprietary and available free-of-charge. As a result, it is now supported by more than 150 manufacturers worldwide.

Offering over 16m control channels with full support for remote device management (RDM), Art-Net is ready for an even bigger, brighte

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14 March 2016

The three-minute video, which is available now on HK Audio's official YouTube channel, explains Pulsar's key features from the perspective of one of the firm's engineers, and runs through the considerations made when designing the series.

Engineered specifically for musicians and DJs who want state-of-the-art acoustics and electronics delivered in a classic format, Pulsar brings all of HK Audio's longstanding competences together in a modern, easily transportable package. The speakers feature 1000 watts of Class D power and the latest DSP technology, while the cabinets are built of select wood chosen for its superior acoustic properties.

HK Audio product manager Alexander Wollenb

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14 March 2016

Robert Juliat USA's booth displayed popular, well-established brands including its LED profile ranges and a number of its powerful followspots. Simultaneously, newly-appointed US distributor, ACT Lighting, marked its first showing of Robert Juliat products by introducing Robert Juliat's latest followspots, the new Merlin and Roxie.

LDI 2014 witnessed the first viewing on US soil of Robert Juliat's new touring followspot, Merlin. Merlin is the culmination of an ambitious project to produce a powerful, rugged followspot for the touring market.

"America is the home of the megatour, with stadium rock, mega churches and large sporting events an essential part of its culture," sa

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14 March 2016

At the same time, the Meyer Sound system allows the restaurant to advance on its soon-to-launch Oliveto Commons, an ongoing series of classes, panel discussions and workshops focused on food policy issues, producers, cooking techniques, and wine and spirits.

Led by owners and founders Bob and Maggie Klein, Oliveto's renovation speaks to the 28-year-old restaurant's deeply ingrained curiosity and driv

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14 March 2016

Split into three distinct concerts, two of them on the north of Portugal with the Next-proaudio's sound reinforcement. According to the band, the first concert was a surprise for the fans, "on the magnificent and historic Sao Bento railway station in Porto and free to attend" where they "played a couple of tunes and answered some questions of the public".

The systems for these two different concerts were supplied by rental company Technosound, which provided full technical production services for the two events with the use of two Next PX Systems (Stackable System) for the small venue and the LA12 (Line Array System) for the big venue.

The first one, on 27 November was a mini-co