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14 March 2016

The latest addition to the PLM Series of powered loudspeaker management systems, the PLM 14000 is built around a two-input, two-power output channel platform. It pumps a massive 7000W per channel into 2 ohms and 4350 W per channel into 4 ohms, making it suitable for demanding subwoofer and low-end applications.

Also new for Frankfurt will be the addition of three new models to the FP+ Series, including a new flagship amplifier, the FP 14000. The other two models are the

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14 March 2016

The geographical scope of the new set up comprises the current Southern Europe remit, which includes Russia and the Middle East, as well as the former Western and Central European region.

A new German office has been opened in Munich, headed up by new team member, Massimo Dolce. Giulia Kabakova has also joined Segato's team as sales executive for Russia and the CIS regions to ensure that these areas can instantly benefit from this new arrangement.

"This move is designed to unify Lighthouse's European operation and help consolidate the company's position as the leading provider of high performance, fle

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14 March 2016

ENTASYS is a new three-way full-range column loudspeaker system that delivers true line-array performance in a compact package. Designed for permanent installation applications, including auditoria, airports and train stations, conference centres, houses of worship, stadium concourses and museums, ENTASYS offers high output and high power handling, utilizing multiple low, mid and high-frequency drivers.

Each ENTASYS full-range column includes six low frequency neodymium drivers, 18 2.35-inch midrange drivers and six 7" long x 1" wide planar-coupled Compact Ribbon Emulator (CRE) high frequency eleme

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14 March 2016

"We bought our first D5 in the spring of 2007, for a tour that had a D5 on the preferred list of desks," says Victory's Theis Wermuth. "We tested it, compared it to the other options and decided that the D5 was the right choice both for the tour and for our hire stock. One of the main things for us was the many ways of 'designing' the desk with input / output options, plus it was easy to operate even for engineers who weren't experienced digital console users.

"We had a meeting with Kim Johansen from Soundware A/S, DiGiCo's Danish distributor, and he quickly convinced us it was the right way to expand our range of DiGiCo desks."

Once delivered, the S

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14 March 2016

In addition, FX also supplied a Mac Pro running Final Cut Studio 2, Genelec 5.1 monitors, a Plasma screen and related accessories into the BRIT School's DVD authoring suite.

"We received funding and decided to upgrade to Pro Tools HD," says Declan Cunningham, assistant director of music. "FX has always been supportive, having overseen the firs

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14 March 2016

The iconic TV programme has been off air for 14 years and 2009 signified its comeback, with contestants being tested on logic, memory and agility. The famous assault course returns in the new series and all challenges have been updated using state of the art technology.

For the modern version of the show, the set incorporates four 42" plasma screens which are used by contestants in the studio. Each screen is fitted with touch screen using optical imaging technology, supplied by Lumina Display, making it touch sensitive for contestants to carry out logic tests during the programme.

The Panasonic plasma screens were chosen for their brightness and clarity in the ambient studio lightin

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14 March 2016

The agreement is designed to facilitate the exchange of contemporary and state-of-the-art techniques for running a successful and prosperous theatrical industry and establish a practice of exemplar training that can create a greater skilled workforce in theatrical production industries.

Tom Bewick, chief executive of Creative & Cultural Skills said: "By working cross-culturally, we are able to share the strong and specialised musical theatre skill set we have here in the UK with China. The new National Skills Acade

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14 March 2016

The comprehensive and integrated systems were divided into five sub-sections. The first is a complete AV archiving facility: a dedicated AV server system for the repair and conformation of many different formats, both digital and analogue, of printed, audio and video media.

The second subsection consists of a complete MATV distribution system, used to retrieve audio visual content from specific building presentation areas via camera and microphone access and its redistribution via MATV to any video equipped room in the building.

The third subsection was the sound and lighting for the outdoor amphitheatre, and incorporated a sequenced power system and

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14 March 2016

Commissioned by format creators and producers 12 Yard, The Colour Of Money, presented by Chris Tarrant, is one of the most ambitious sets yet created by production designer Patrick Doherty.

A total of nine mission-specific media surfaces are used on the set, including Barco's iLite 6 6mm display, which forms the main high-resolution central screen. This is reinforced by G-LEC's 30mm Phantom 30 and Barco MiTRIX transparent screens, Barco OLite 612 modular banner (curving round the rear of the set), and the German Schnick-Schnack LED FX, which borders the cash machines and also provides a uniform colour light detail elsewhere on the stage floor, with wide angle diffusion. The transparent screens have been b

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14 March 2016

"A desktop version was the next logical step in the CLD series." said Christian Latzelsberger, senior product manager for RTS Intercoms Worldwide."Like the KP 32 CLD we evaluated how intercoms are used in various settings, and what meaningful improvements could be made. With the DKP 16 CLD, nothing was overlooked. Desktop users will be very pleased with the refinements in the control surfaces, and the graphical interface on the DKP 16 CLD."

(Jim Evans)

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14 March 2016

Showsec's Operations Director Simon Battersby managed the Brits project, liaising with organisers from the BPI and production management M.J.K. and Earls Court. He said, "This is the second year that we have worked at the BRITs and the smooth, assured manner in which we undertook such a complex operation underlines the professionalism and capabilities that are present at all levels within our team."

Maggie Crow, event director for The BRIT Awards 2009 noted: "Showsec provided the most exemplary security at this years' BRITs. My feedback has been every guest - and there are over 12,000 of them who are all treated as VIPs - were welcomed and dire

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14 March 2016

"We are delighted to have received such an overwhelming response to our call for entries this year," says Wendy Griffiths, CEDIA executive director. "And, for this to include a record number from outside the UK is the icing on the cake. At CEDIA we are working hard to reach out to our members across the territories with initiatives such as the new International Committee, and their participation the Awards is very encouraging and definitely proves we're going in the right direction."

Martin Stanford, anch

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14 March 2016

"With the stability of the timecoding and video operation on the grandMA, and the request early on in The Feeling production meetings to integrate video content into the show, it seemed a perfect opportunity to teach myself the desk," he explains. He set aside two weeks before the start of the tour to pre-programme the show - with the option after a week of moving back to another console had he not been happy with the grandMA. "Fortunately that proved not to be the case, and with Matt Buttons on phone support, I had a very good time and got right into it once my head w

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14 March 2016

As a result, Capital Sound Hire, the band's audio production company, found themselves specifying delay arrays into the O2 sound reinforcement system for the first time.

The entire coverage, including side-hangs, front-fills and delays, was made up of Martin Audio's W8LC Compact line arrays - including 20-box hangs as the main reinforcement system - stretching the production company's inventory to the limit. All the full range enclosures were powered by Martin MA4.2s amplification.

With the two delay-hangs (each compri

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14 March 2016

Supplied with special 'double-up' hanging brackets allowing two BB4s to be rigged together to make up an 8-Lite, six units in this format were positioned on the front truss pointing into the audience, with another two per side on each of two satellite trusses, hung stage left and right above the front line of the stage.

They were used for Molefey-style effects, providing strong and intense bursts of colour and illumination across the large live audience and highlighting the vast interior of Earls Court.

"They are absolutely super bright," comments lighting supplier PRG's crew chief Richard Gorrod. "There is also the power saving implications of running a BB4, which, with a consumption of 120 Watts, draws just half an amp on full at 240 volts

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14 March 2016

Staged at the Tafawa Balewa Square in Lagos, Nigeria, the massive musical extravaganza brought together worshippers from throughout Africa to revel in performances by artists including Kirk Franklin, Donnie McClurkin, Don Moen, Fred Hammond, Kurt Carr, Chevelle Franklyn, Gospel duo Mary Mary, and UK-based recording artist and radio presenter, Muyiwa Olarewaju.

The main sound system deployed left and right arrays of 10 Meyer Sound Milo loudspeakers each, augmented by side-arrays of 12 Mica loudspeakers per side. Low frequencies were covered by nine

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14 March 2016

Following its live US launch on the Winter NAMM Main Stage at the Anaheim Convention Centre in January, a pair of IC LIVE arrays with matching IC215S dual 15" bandpass subwoofers will be demonstrated at Frankfurt Messe's Concert Sound Arena every day throughout ProLight&Sound 2009.

The Concert Sound Arena, located in the outdoor exhibition area of the Frankfurt Messe, features a purpose-built stage and a covered audience area.

(Jim Evans)

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14 March 2016

Sagitter has been a well-known brand in professional lighting field for many years. Proel's statement says: "In Lampo, Proel has found a very valid partner to both monitor the manufacturing process and provide complete technical support through a committed service centre. The agreement has also brought with it the implementation of a dedicated and highly experienced R&D department."

"For Proel, this operation represents yet another large and important step towards the completion of the ongoing strategic plan for the professional Audio, Video and Lighting sectors," the company says.

(Lee Baldock)

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14 March 2016

The Sequenza 10 B can either be flown with Sequenza 10 N/W systems or in separate bass arrays. It is suitable for various applications as well as for use as a conventional subwoofer on the ground. Various setups in the K&F SystemRack make it possible to control the 10 B as cardioide, hypercardioide, and conventional omnidirectional bass unit. An additional Speakon connector on the front of the system simplifies the wiring for cardioide operations and optimises the appearance.

The K&F Topas is a two-channel system amplifier with a K&F remote system specifically developed for the special demands of fixed installations. It i

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14 March 2016

A LightViper optical cable/audio transport system from FiberPlexis a key element of the sound reinforcement services supplied by Apex Productions for Hinn's appearances. The LightViper system runs 64 channels of audio from the stage to the front-of-house (FOH) mixing position, the monitor mix position and the broadcast truck, which also records the events. Both the FOH position and the broadcast truck also send 8-channel returns to the stage via the LightViper system.

"There's a wide variety of sizes and types of venues we're doing, and some of them, like arenas and dirt fields, involve long cable runs," says Danny Huebsc