Midas PRO6 on The Script
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"It was my first time using an XL8 and even after just one sound check I had fallen in love with it," he states. "We were performing with a full orchestra and the production was running two XL8s at FOH and three PRO6s for monitors and recording. The house engineer was mixing the orchestra on one XL8 and I was mixing the band on the other. It just sounded so sweet and it was really easy to find my way around the desk. We were up and running really quickly and everything I needed to do mix wise was at my fingertips."
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