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The audio system features more than 60 VRX932LA line array loudspeakers in a distributed 'exploded cluster' configuration. Supplementing the main system are VRX928 8-inch, portable line array elements for the upper seating areas. The entire system is powered by Crown XTi amplifiers.

"We have successfully employed VRX line arrays in the past and found them to be an ideal solution for the system at the Lloyd Noble Centre," said Doug Dodge of Daktronics. "The system has performed exceptionally and provides smooth, even coverage to all areas of the arena."

(Jim Evans)

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(Jim Evans)

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14 March 2016

Ian Hunt, director of event management for Clair Chicago, says, "Not only did we need to combine full coverage and vocal intelligibility on a massive scale in this deep, wide venue, we also needed to ensure signal feeds for the vast assemblage of press from around the world, and all with impeccable audio quality."

After mapping Grant Park using LAPS (Line Array Prediction Software), both Hunt and Mark Kishbaugh, account executive for Clair Chicago, determined that Electro-Voice's X-Line line-array system was the ideal choice to deliver the long-range, highly intelligible sound the rally would require.

Tw

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14 March 2016

"displayLED's international business has grown steadily over the last five years and we have identified a need to provide our customers with local sales and technical support," says CEO, Graham Burgess. "The opportunity to add the experience of Michiel and his colleagues to the displayLED team was too good to miss. Furthermore, displayLED GmbH's base is ideally positioned to service central and western Europe, including Germany, Switzerland, Austria and France.

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The show, produced by Phil McIntyre Entertainments, is a mix of comedy and music which, lighting wise, had all the requirements of rock 'n' roll with a bit of camp and a generous scoop of theatre.

It is Ollandini's second Boosh tour. He was left to his own creative devices to come up with a flexible rig that fitted in around the centre-stage set, built on a revolve with set dressing one side and musicians on the reverse.

He chose an all moving light rig because parts of the show were still "work in progress" and constantly changing when they first hit the road, so he needed complete adaptability to go with the flow and modify lighting at any point.

The front truss contains five

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The RBC Centre is home to the Carolina Hurricanes of the National Hockey League and the North Carolina State University men's basketball team. The arena seats 19,722 for basketball and 18,680 for hockey, including 75 luxury suites and 2,000 club seats. The arena also hosts numerous other events, ranging from WWE contests to rock concerts.

According to Jim Devenney, senior audio designer, for Clair Brothers, the audio system at the RBC Centre was due for an overhaul. "The system originally installed in the building had lots of clusters and lots of overlap that degraded the system's intelligibility," he said. "The sy

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Williams' work with light and visual media, creating unique installations and performance environments, often on a huge scale, has been highly regarded as both conceptually and technologically groundbreaking. Wired magazine ranked him one of the top 25 visionaries in entertainment in 2000.

Williams' ideas have always demonstrated the influence of a vigorous engagement with art. For example in 1997, he and U2 met and collaborated with Roy Lichtenstein, Alan Ginsberg, William Burroughs and Howard Finster, as well as the estates of Andy Warhol and Keith Haring, to cre

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Designed by renowned architect Rafael Viñoly, Curve Leicester features two auditoria: a main auditorium of 800 fixed seats and a smaller versatile space of 400 seats. 32 tonne steel walls separate the stage from the foyer and can be lifted out to make the stage visible from street level. The open plan foyer is enclosed by a glass façade offering views onto the café, bars and across the stage. The resulting transparency reflects the concept behind the design, which is to make the arts accessible to the public at every

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FOH engineer Bruce Johnston said: "I liked the sound of the system. The horns were very powerful and exactly suited what I was looking for with Oasis. After a few shows, the system really started to get up and go and I got lots of comments saying that it was the best Oasis had ever sounded. With 15 Subtech 218 subs per side, we had some amazing low end happening and really got the room shaking. We had no issue with the system's capabilities and were able to get the volume needed for a band

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Thre E8, E12 and E12-D all combine polyurethane hard foam cabinets with coaxial LF/HF drivers at their heart. Designed for use as standalone full-range loudspeakers, any of these models can be integrated into d&b's larger systems without compromise to performance, says the company. All three models have horns that rotate through 90º, with patterns of 90º x 50º, 80º x 50ºand 110º x 50º (h x v) as well as high power ratings of 129 dB, 134 dBm and 133 dB SPL respectively. With the addition of the E15X subwoofer the bandwidth can be extended down to 40 Hz.

In the same vein, the D6 am

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A&O UK's warehouse will carry an extensive stock of its Falcon Architectural and Entertainment product ranges, and will be based in Blackburn, Lancashire, with easy transport links to all the UK and Ireland. A London office is scheduled to be announced, to provide a central administrative base for the new venture.

HSL will provide service and technical support. HSL currently holds the largest stock of A&O's Falcon range fixtures in the country, and has worked extensively with this technology for the last three years.

Marco Niedermeier, MD of A&O says: "This is a perfect opportunity to strengthen our worldwide business and commercial network. It will allow us to continue expanding the continuity of se

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14 March 2016

The court was told on Monday that the agreement would remain confidential. Bankim Thanki QC, for the sheikh, told the judge: "We are very pleased to announce an amicable settlement has been reached on confidential terms." Lawyers for both sides then went into conference before releasing a joint statement which simply said: "They wish each other well in their own respective endeavours." Leaving the High Court on Monday, a spoke

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Following her successful track record in a variety of roles within broadline consumer computing and electronics, Liz has been appointed to head up the specialist sales operation at PSCo. She will be working alongside the UK's leading integration companies for PSCo's range of high end, visually innovative products to help bring new products to market and improve client communication.

Liz started out with Computer 2000, before moving to Logitech to manage its distribution channel. Her career blossomed at Micro-P where she grew the consumables division from £600,000 to £1.2 million in nine months. This success saw her move to InTechnology (Now DNS Arrow)

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Robert Ornbo was a brilliant and prolific lighting designer, whose work on over 300 productions ranged across drama, musicals, opera and ballet to events such as the Edinburgh Tattoo, the Royal Tournament, the naming ceremonies of ocean-going liners and events at Buckingham Place for the Royal Family. His influence has had a profound impact on theatrical lighting over the last 50 years.

Robert was the first lighting designer to join Richard Pilbrow in the fledgling company Theatre Projects in 1960 and he became managing director of Theatre Projects Lighting during its heyday when its team of lighting designers, who included Robert Bryan, John B. Read, David Hersey and An

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In a joint statement, CEDIA executive director Stephen Miller and ETF managing director, Matthew Walton said: "Our announcement today is just the start of an ongoing relationship between our two organisations. With merging technologies meaning products and technologies are used across a wider range of applications plus a changing landscape in the way many of our stakeholders conduct their businesses we saw a great opportunity to add value to the industry and our events by working closer together."

The first phase of the relationship will see co-operation and cross promotion between the CEDIA Expo in July 2009 and ENTECH Expo in Febr

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Located in the city of São Leopoldo, Pro Shows was founded in 2003. "We are very pleased to have Pro Shows as our new representative in Brazil and are confident we can re-establish Martin as the preferred lighting brand in the Brazilian market," said Martin area sales manager Peter Dahlin. "Our new cooperation will be kick started with a road show to the major cities in Brazil at the end of November and in early December."

Pro Shows president, Vladimir de Souza, has a long history in the industry, having founded the company on the values of service, teamwork, trust and dedication. He commented on the new par

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TAO Group's Andy Cotton said: "There are a number of superb awards events in the calendar including the TPi Awards, NOEA Awards and the TESA Event Awards, some of which we as a company have been honoured to win. The idea of these awards was to recognise the work of the stage builders, truck drivers, humpers and all the other disciplines required to make an event happen. We wanted to award the 'blood, sweat and tears' of the workers on TAO events as opposed to the companies, as without these people events don't happen."

The awards were hosted by Ian Sandy and presented by va

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The company immediately set up a thorough risk assessment programme, which is already being adopted by several leading West End theatre production (and touring) companies. The assessment monitors employee exposure to sound levels within the workplace, setting out different thresholds of risk, over short bursts and sustained periods, along with the appropriate action that needs to be taken.

Central to this are small 'dosemeters', which are clipped discreetly onto employees working in specific areas which are activated simply via a keyfob; the readings are then monitored by Orbital.

Orbital Sound technical director, Tim Sherratt, w