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It's a shame that all the great work that goes on in the run-up to Christmas fades so quickly into the past. The lights might be up until January 5th, but the party ended New Year’s Eve, such is the ephemeral nature of the season and the entertainment that accompanies it. Looking forwards is the resolute option, and this January LSD Fourth Phase has much to look forward to, not least with a re-scheduled tour by Destiny's Child out there in the middle distance.

S Club 7 is the biggy of the month; the group is at Elstree studios for rehearsals as we speak, with the tour commencing at the end of this month. This is a major production, set design by Charlie Kail (built by Total Fabrications Ltd) with Pete Barnes designing the lighting rig which will contain Icons, PC Beams, Super Cycs,

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Louis Teo has left Singapore-based distributor Del Salado Entertainment Pte Ltd to start his own company, Lighting & Sound Distribution. The new company will also operate from Singapore and will import and export lighting and sound goods including special effects such as fiber optics, foam machines, CO2 Jets, as well as distributing brands such as Logic System Pro Audio, Starway, MBN, DiscoTech, Supervision and Dare Pro Audio in Singapore, Malaysia and Indonesia.

(Lee Baldock)

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Adjacent to the City Walls and near the famous Minster in the historic city of York, York St John College offers a range of opportunities for post-graduate and post-experience study, alongside an extensive programme of MA and PhD research degrees. The main 9.87 acre site with a history dating back to 1841 is located on Lord Mayor’s Walk, just a few minutes from city centre shops, restaurants, theatres, galleries and museums.

The College has recently embarked on a major programme of investment in infrastructure facilities to develop a state-of-the-art learning centre including a new library and IT facilities. The programme has also included a significant installation of lighting and audio equipment to enhance the college’s Communication Arts Studies in Media and Performance (CASMAP) facilities.

This part of the installation has been carried out by AC Lighting Ltd, creatin

PLASA Show 2025 - Banner - June-Aug 2025

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At the forthcoming EnTech show in Sydney (4-6 February), ENTTEC is to release its flagship product - the EVO. This is a new generation of lighting desks based around Ethernet and new technologies. The hardware centres around a large 5'7 blue back lit LCD touch screen and seven motorised faders, whilst communication comes from an Ethernet port, and DMX options come via the desk’s DMXEthergate suite of products or a DMX over Ethernet solution.

The EVO was designed for maximum ease of use. Its user interface gives constant feedback over the current show or programming actions using plain English sentences. Thanks to the motorised faders, the user will be able to program scenes as on an analog desk or run entire cuelists from one submaster. ENTTEC have also included new features such as semi-automatic crossfades and web remote control. The EVO is not built around a PC, but uses an in

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Cast Lighting, a subsidiary of Cast Group, will set up and oversee the complex lighting requirements for CBC’s English and French Home Base coverage of the Winter Games in Salt Lake City during January and February 2002. The events will be broadcast live on CBC for approximately 16 hours a day for the duration of the Games. This is the second time the Canadian company has been invited to participate in the Olympics: Cast also supported the opening and closing ceremonies of the 2000 Sydney Olympics, by providing full WYSIWYG pre-planning and visualization tools.

Cast will be represented at the Games by Allyn Terry, lighting director/designer and Russ Widdall as board operator/assistant. Preplanning of the studios will take place in Toronto. Terry and Widdall will spend some two months on site in Salt Lake City with the set-up and managing of the studios. These studios will have nu

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Three BSS 9088ii Soundwebs have been specified to handle the networking at the important new Media Centre which opened recently in Shanghai. The Centre is based around a single fan-shaped room, measuring 6.4m high and 36m in length. The shortest width is 22m and the longest, 44m. Owned by the Shanghai Oriental Pearl Company, the contract to fit out this new-build site was won by ACE Shanghai.

The company wrote an audio specification to include mixing consoles (Amek/Soundcraft), amplification (Crown), loudspeakers (JBL Vs Series), control components (including dbx equalization), various sound sources, patch facilities and other ancillaries. They recommended to the owners that Soundweb be employed to route the signal sources generated from CD player, cassette recorder, hard disk recorder and microphone - with a local 9010 Jellyfish remote panel. According to ACE Shanghai’s Zhou Ji

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Quadrant Visual Solutions (QVS), the specialist AV designer and installer and conference specialist, has specified and equipped ‘Host’ - the new media centre in Leeds, recently opened by Melanie B, with a comprehensive range of state-of-the-art multi-media equipment. The centre, funded by Leeds City Council, is situated in Chapeltown and was built as part of the Council's drive towards regenerating Leeds' inner city. Providing office space for small new media companies to rent, QVS equipped the centre with sound, radio and TV studios, conference rooms, multi-media training rooms and video edit suites.

The work was put out to European tender, and QVS account manager Andrew Hogben is delighted to have been awarded the contract. "We worked in partnership with Sony Broadcast and Total Audio Solutions to produce the original specification. For the sound studios, we supplied

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Tomcat UK has announced that they are now stocking an increased range of Columbus McKinnon Prostar electric theatrical chain hoists. The popular lower capacity hoist range, which already included 136kg and 272kg s.w.l. models are now complemented by 226kg and 452kg s.w.l. units. The new models have the same features as the original versions and also boast the extra capacity without an increase in external size. A variety of different speeds and voltage options are available, including extra fast 10m/min versions. The products are available directly from Tomcat UK or from any of the company’s UK and European distributors.

(Lee Baldock)

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Devon-based rock trio Muse appeared at a wide variety of UK and European venues at the tail end of 2001; Mike Mann saw them in the cavernous London Docklands Arena.

Lighting designer Oli Metcalf has seen his system squeezed into small clubs and stretched to fill a full arena stage - and has managed to keep the CAV-supplied rig intact along the way. Metcalf is using CAV for the first time, a decision, prompted by their stock of up-to-date High End product. "I’m using 16 Studio Color washlights and the same number of Studio Spot CMYs," he revealed. There are also 14 AF1000 strobes in his design and a quartet of modified Cyberlight Turbos - their rear cable entries have been removed to allow them to stand vertically under four fabric cones which form an important part of the set. "CAV seemed to have all the new High End kit I needed, and they had no problem with me wa

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Phil Ward identifies some of the key product launches at the December AES Show in New York

New York at the beginning of December is a sentimental place. Horse-drawn carriages trot fur-coated shoppers along 59th Street at Central Park South. Sesame Street’s Big Bird switches on the Christmas tree lights outside the Lincoln Centre. Tourists flock to Ground Zero. And AES delegates - at least the Americans - exhibit, buy, sell and discuss in detail ‘classic’ audio technology.

One whole section of this show was dedicated to ‘When Vinyl Ruled’, and offered tear-jerking insights into valve and lathe technology. Even away from this grotto, microphone and signal processor designs from the 1950s were on display, re-issued and repackaged with loving attention to detail.

Les Paul himself, who pioneered multitrack recording in the 1950s, figured in Gibson La

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The first major European installation by Los Angeles-based artist Hiro Yamagata. Photon 999 opened at the Guggenheim Museum in Bilbao, Spain, at the end of last year. Yamagata worked with a team of over 30 specialists to realise the installation. 15 laser systems (from Tarm Showlaser, Times of Change and Dymax Special Effects), including four of Coherent’s new Viper lasers, are placed around the edge of a pool. These are projected to over 200 mirrors installed on 20m high JTE truss towers and Mylar holographic panels applied to the surface of the central walkway. The system is controlled by a custom software package designed by Laser Animation.

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The Wembley studio building that used to house CTS Studios is back in business as a recording facility after industry veteran Pete Fielder secured a lease on the premises, which he has re-opened under the name of Phoenix Sound.

The studio building is located close to Wembley Stadium and was due to be redeveloped as part of the overall stadium rebuild. However, when plans for a new stadium fell through, Fielder acquired the lease from Wembley plc with a view to securing the site’s future as a recording studio.

Fielder, a respected engineer and APRS board member who has extensive experience of the studio industry, told L&SI: "This is a large site that is already very popular with musicians and has plenty of potential as a studio complex. Although we are re-equipping from scratch, the actual studios and control rooms are already in place and will simply be re-decorated and ac

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James Eade has taken on the daunting task of being L&SI’s new technical editor, and so we thought you’d like to know a little more about him.

James is a qualified mechanical and electrical engineer who has been involved with lighting and sound systems since his schooldays. With various roles under his belt, including hire manager of a busy London AV rental house, and as project manager and systems designer for various large AV projects such as the Eagle Class cruise ships for Royal Caribbean and preliminary design work on High End Systems’ Catalyst, he has built an extensive knowledge of the industry.

He also lives near the PLASA office, which is why he really got the job, and has a big black labrador called Baz, who fetches the biscuits.

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There’s one further change to report for L&SI as we enter 2002 - fans of Ian Herbert’s regular Asleep in the Stalls column will be disappointed to learn that the column has come to the end of its 8-year run, although its author, Ian Herbert, will continue to contribute to the magazine on a regular basis.

We would like to thank Ian for providing his amusing, incisive and - above all - punctual Asleep in the Stalls columns over the years, and we look forward to his future contributions . . .

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Ken Achard, managing director of Peavey Electronics’ European subsidiary, received an honorary degree of Doctor of Science at a graduation ceremony which took place in London’s Barbican Centre at the end of last year.

Conferred on him by the University of Westminster, the award was presented by the chairman of the Court of Governors, Sir Alan Thomas. The degree was in recognition of Ken’s lifetime achievements in the music industry.A veteran of 38 years in the music business, he became an acknowledged authority on vintage guitars in the early seventies, publishing one of the first works of reference on the subject - The History and Development of the American Guitar - in 1978. A long-standing business and personal relationship with Hartley Peavey started in 1973 when Achard became one of the initial export distributors for American music and sound equipment manufactur

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The collaboration between the US theatrical equipment consultant, JR Clancy, and UK manufacturer of stage automation systems, Stage Technologies, has moved on another step with the signing of a formal agreement between the two companies.

This agreement, which covers land-based stage engineering installations in North America, was signed at the LDI 2001 exhibition in Orlando earlier this month, and cements a relationship that has been strengthening over a number of years. The companies first worked together in 1995 providing a complete 95-axis power flying system for the Teatre Nacional in Barcelona, Spain. More recently, JR Clancy provided the Conference Center of The Church of Jesus Christ of the Latter Day Saints in Salt Lake City with an automated rigging system complete with a 45-axis Nomad control system.

Tom Young, vice-president of sales and marketing of JR Clancy, explained:

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PLASA Member SigNET AC has been named North East regional winner in the Trade Partners UK National Languages for Export Awards 2001, in the category for small business, sponsored by NCM credit Insurance. The company, which specializes in the design and manufacture of voice alarm, paging and background music systems, won the award for changing its approach to doing business in a number of export markets.

Richard Sice, marketing manager told L&SI: "In order to be more competitive in international markets we have taken a strategic approach to the use of our human resources and policies. We have taken steps to hire people with native language skills and also to employ UK graduates who have studied a foreign language. In addition, we are taking a fresh look at our marketing documents and have translated key brochures and leaflets."

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The Royal Festival Hall production team gave blood, sweat and tears to stage the 2001 festive ballet season, featuring the renowned Moscow Stanislavky Ballet.

The team, led by head of production Nigel March, and in collaboration with the venue’s riggers Vertigo Rigging, transformed the concert hall into a proscenium arch theatre, with all the expected rigging and flying facilities, ready to stage The Snow Maiden and Swan Lake.

This was the most ambitious set and lighting design ever staged at the South Bank, as well as one of the tightest timeframes. The initial task of the Vertigo team, headed by Paddy Burnside, was to install an 18 x 12 metre mother grid in the roof of the Hall. Below this was hung a trussing sub-grid to hold all the lighting and scenery bars and tab tracks. Because the changeover between shows was so tight, scenery and cloths for both had to be rigged at the

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In recent years a growing number of manufacturers have turned their research teams towards the development of large-scale lighting instruments - big lamps with some of the newer features of modern theatre lighting - in-built colour changing devices, moving yoke, etc.

Why? Well, either the manufacturers are trying to drive new markets having saturated theatre, TV, concert and corporate events with smaller, highly developed models, or alternatively the market researchers have been busy and discovered that there is, in fact, a latent demand out there for such lighting equipment. Personally, I tend to the second view, but there’s no doubt that having once created a beast, chances are someone will find a use for it - witness the large xenon-powered searchlights that are commonplace at festivals and special events. But when we turn our attention to buildings, especially in the UK, we

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This lot definitely break the convention: a dance band with a stage presence - and not before time. Faithless are almost a rock combo, a robust and rhythmical form of Steve Hillage, morphing and vibing, rather than worrying about melody and structure. It sounds great, though personally it’s not my cup of tea.

Sequencing apart, this is a very analogue sounding band, real guitars, keys, drums and percussion, yet on the outside their show embraces some of the very latest technology.

Lighting

These are never easy shows to light, the style demanding that you not so much light the artist, as the room. Juan Morandi has strong things to say about the subject: "The fact is you can’t tour a music production at this level with anything original unless you have a lot of money. This is a front and back truss situation with extremely boring moving lights." Sorry? &q

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Lawrence Heron, until recently a motor control specialist with Out Board Electronics, has established his own company - Promanent Automation (International). The company, which will have offices in both the UK and South Africa, will act as consultant for, and supplier of, automation to the entertainment industry. Heron has recently completed his first project for Tell Tale Productions - the automation of a Christmas tree for the Tweenies Christmas show - and has a number of other projects in the pipeline.
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