UK - The expression ‘negative space’ might sound a contradiction terms when used in the context of lighting and video, but then when haven’t Tears for Fears challenged commonplace assumptions? Certainly not for their recent concert at show designer Alex Reardon and production manager JB Blot successfully transplanted a full-scale US arena production into this most enigmatic of venues.
“It was an unusual day,” began Reardon. “Normally when you do one-offs it’s the tiny things that get missed and then they snowball into chaos. But not this day. Neg Earth were great, Video Design were great. The band were happy. Their management were happy and the show went very well. In fact, it looks like we will be coming back to the UK for an Arena tour in May.”
Reardon

India - Multinational flight case hardware and 19-inch racking manufacturer Penn Elcom has launched a new distribution centre in Mumbai, India.
It will be based in the Vasai area and headed by Rodney D’Monte.
Penn Elcom chairman Roger Willems says: “Mumbai is a major commercial and cultural hub and a great strategic location with a very positive future and we enjoy its vibrancy and energy. That’s exactly where we want to be.”
The opening of this distribution hub follows other recent major investments in Penn Elcom’s global manufacturing and sales network in Canada, the UK and China.
The Indian operation will first focus on the racking and hardware elements of Penn’s business, and will also manufacture and distribute products utilising brands such as Amphenol cables and Neutrik connectors.
It will also source its basic hardware from the Ch

UK - SGM has appointed Anthony Van-Sertima as the new business development manager at its UK branch. Anthony was first introduced to SGM in 2005 and has loved the products ever since.
“In the UK, the network of lighting people is close and friendly. Having extensive knowledge in lighting and production, I’ll be on hand to provide the link between lighting designers and the brand; a friendly, familiar face,” said Anthony about his new role at SGM.
Anthony foresees a huge growth phase for SGM, and is thrilled to be part of that journey.
“It’s not like other manufactures are falling short, but SGM is a few years ahead of competitors, having developed purely LED based technology a few years before the other major manufacturers,” said Anthony. “Also, in terms of the IP-rating, it is an exciting time for SGM as the demand for outside light installations

USA - Critics have hailed Great Hall as a monumental triumph of architecture. Effortlessly balancing form and function within its spacious confines, the two-story room alternately awes and inspires with its towering Corinthian columns, Romanesque arches, double staircase and a gold-ornamented ceiling that exudes the unbridled optimism of its 19th century designers.
Setting off the room’s design and making a powerful visual imprethe US Library of Congress’ ssion on visitors from the moment they walk through its bronze doors is the gleaming white Italian marble that makes up most of the Great Hall’s surface area.
Although beautiful, the marble made the design process more complex for Elizabeth Coco on 1 November when she lit the American Film Institute golden anniversary celebration at the Great Hall. Coco was able to meet this challenge with help from a collection

UK - The stages used for Adele’s 2017 stadium tour in the round became the first events industry designs to win a coveted Structural Award.
Designed by OPS Structures for Star Events, the VerTech Ultra stages claimed the Best Small Projects (of between £1-3m) gong at the annual Structural Awards organised by the Institution of Structural Engineers. The stages were developed, built, tested and shipped to Australia in just four months and suspended 90t of production equipment at 25m above the ground. The judges praised the structures’ design, which allowed easy transportation and erection, minimised work at height and enabled unobstructed views by negating traditional bracing.
A spokesperson for the judges said: “The Adele 25 Stage engineering took account of the vast constraints and design drivers to produce a safe, efficient, elegant and reusable structure. The
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ETC Halcyon Silent

High End Systems Halcyon Silent builds on ETC’s legacy of fanless automated fixtures by incorporating features from the highly sought-after Halcyon family. Halcyon Silent perfectly balances silent operation with brilliant output of 18,400 lumens and high-impact features. 

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USA - Occupying the former site of one of America’s largest shoe factories, Craddock Terry Hotel in Lynchburg has reflected that industrial heritage in its interior design.
The hotel also boasts a distinctively modern flair with richly coloured light that washes its front columns courtesy of Iluminarc Colorist 8Qa Panels installed by Jon Daggett of Castle Lighting.
Daggett positioned 10 of the IP65-rated RGBA panels across the base of a 135’ section of the three-story building to light the columns that separate its large factory windows. Reaching up to the top story 32’ above the ground, light from the Colorist 8Qa Panels sets off the original design of the early 20th century structure, creating a sense of its scale and conveying its rock-hard power.
“The Colorist Panel 8Qa was a perfect fit for this project, because of its shape, footprint, and punch,”

Indonesia - Graha Bethany Nginden commissioned the construction of the largest dome-shaped evangelical megachurch in southeast Asia. Completed in December 2016, Graha Bethany Nginden’s new facility accommodates an audience of 30,000 attendees. With the goal of providing an immersive concert-like worship experience to its members, church leaders hired CSA to upgrade its existing sound system by installing Studer by Harman Vista X Series large-scale mixing consoles.
"Graha Bethany Nginden is one of the largest churches in the world,” said Setiawan Winarto, CEO, CSA Indonesia. “Church leaders wanted to replace the old consoles with the most advanced mixers available to better serve their music and multimedia team. We were able to achieve the church’s goals by providing quality solutions, while working closely with the Harman team to provide 24-hour technical support. W
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Create new traditions – Cameo P6 - High Output Full-Spectrum Ellipsoidal

Cameo's P6 is a future-proof LED profiler with a powerful 600 W RGBACL engine and 16,000 lumens. It’s an energy-efficient replacement for 2.5 kW halogen profile lights in theatres and venues. With excellent light quality and natural colour rendering, it fits perfectly in theatres, musicals, TV studios, congresses, and live events.

With an LED life of 50,000 hours and low power use, the P6 cuts energy costs and supports the EU’s ‘Green Deal’ goals for climate neutrality by 2050. It also meets updated eco-design rules for lighting.

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Belgium - The new De Krook building in Ghent is described as “the inspiration for knowledge culture and innovation”. The initiative of the City of Ghent, Ghent University and IMEC the hub of the complex is a library for the 21st century supported by a full range of facilities, including IPEM’s ArtScienceLab. The facility has been designed as an open house for all citizens to use.
De Krook, designed by architects Coussee & Goris Architecten and RCR Arquitectes, resembles a stack of horizontal plateaus. Martin Audio’s Belgian distributor FACE presented the successful technical bid for the AV fit-out for the ArtScienceLab, responding to a tender document issued by IPEM.
In proposing the Martin Audio CDD series for the Lab, FACE met the requirements for a loudspeaker with horizontal dispersion of 120° and high SPL from a compact enclosure, in order to reproduc

UK - Technical production specialist Central Presentations (CPL) and producers Constructive Communications delivered full technical production for Construction’s Got Talent, a team-building / gala dinner conference event with a difference for leading independent construction and property services company Wilmot Dixon.
This was staged in the Noble Suite at the Pullman Hotel on Euston Road, London, with tailor made format partly inspired by TV talent show competitions on a quest to discover the company’s own undiscovered talent, which was interspersed with presentations and speeches.
Lee Gruszeckyj led the CPL team who worked with Constructive Communications’ project manager Ken D’Souza.
A 10 metre-wide stage with free-standing printed graphic wrap set / backdrop including the event’s own Got Talent logo was installed, complete with small thrust fo

UK - Edinburgh-based Live Systems is the latest UK company to become an Adamson certified reseller.
Established in 2000, Live Systems has grown to become a significant force in the events and integration markets in Scotland and the North of England providing sound, lighting, staging and video and offering their services to a varied client base including the live music, theatre and corporate markets.
The company invested in an Adamson S10 line array earlier this year. It has been used on a diverse range of events including the Meadows Festival and the Edinburgh Mela where it has impressed customers and sound professionals alike.
Steve Robb, managing director of Live Systems comments: “We have always looked to promote products that offer something different - either in terms of technology, features or quality. The Adamson brand really does tick all of these boxe

Sweden - Microphone manufacturer Milab has acquired Pearl Microphones in a deal that sees the two companies joining operations again after 40 years as separate businesses.
The merger will synergise Milab and Pearl's production and R&D services and the brands will continue to exist individually for marketing reasons.
The two microphone manufacturers share a common heritage that goes back to 1941 when PML was founded by Rune Rosander in Stockholm, Sweden. In the late 1970s, PML was divided into separate business units that became Pearl and Milab and eventually led to a permanent separation.
Thomas Nöjdh, who will continue to serve as Milab’s CEO, says: “The opportunity to bring these two companies back together after 40 years is a matter of great pride to us all. With the acquisition of Pearl, Milab will strengthen its position as one of the world’s

Europe - The Rolling Stones’ live shows are still known for their dynamics and power, and the recent No Filter tour featured a stunning lighting and video design that captured the essence of their performance and underlines the indelible legacy and huge influence of their music.
Lighting designer and creative director Patrick Woodroffe of Woodroffe Bassett Design (WBD) worked closely with stage architects Stufish on developing the look and feel of the No Filter tour, which used four grandMA2 full-size consoles, one MA grandMA2 light, five MA NPUs (Network Processing Units) and four MA 8Port Nodes.
Woodroffe explained: “We had very little lead time once the tour had been confirmed but worked with a great team from Neg Earth on lighting, and Solotech on video. Stufish and Jeremy Lloyd put together the scenic design and concentrated very much on the deta

Switzerland - The Zurich Opera House entered the 2017/18 opera and theatre season following an extensive technical renewal that included new audio equipment, modernisation of its workflows, and fresh approaches to its sound reinforcement.
The Lawo mc²66 mixing console that was previously installed in the sound control room has been replaced with an mc²56, with a second an mc²56 also installed in the auditorium – making the sound control desk and auditorium desk mirrored consoles. Operated in mirror mode, the configurations, snapshots and adjustments of parameters that are performed on one console can also be recalled at the other. This ensures efficient preparation of performances, particularly where Microport systems are increasingly being used. Managed in this way, musical and children's opera projects planned for the future will be easier to mix in the hall.
Th

UK - Battersea Dogs & Cats Home’s annual Collars & Coats Gala Ball returned for its ninth year earlier this month, with Hawthorn on hand - or should that be paw - to deliver full technical production for the star-studded occasion. Taking place at Battersea Evolution, a Smart venue, the creative technical production expert provided lighting, sound, video and staging for the charity’s biggest fundraising event of the year.
Even with a guest list packed with some of biggest names of stage, screen and sport, it was Battersea’s four-legged friends that stole the spotlight at the Gala Ball. Battersea’s legendary Guard of Honour, a red carpet lined with the home’s dogs and their handlers, kicked off proceedings before guests settled down to a dinner by Smart Hospitality.
Guests of the two-legged variety were kept well entertained throughout the eveni

USA - Success has not spoiled Louis The Child, nor has it made this pair of Chicago-bred DJs any less daring when it comes to reshaping their distinctive brand of EDM music. Since bursting on the scene two years ago with the highly original and spacey tune It’s Strange, the duo has continued to jump head first into the creative cauldron. Rather than resting on their laurels, they show a fearless willingness to experiment with novel eclectic synths, push percussion assemblages to the limit, and in general do whatever it takes to reach new musical heights.
The same Louis The Child philosophy is at play when it comes to lighting their shows. Going into their 32 -city Last To Leave Tour, which started 12 October, the pair told the team at Creative Production & Design (Austin, TX) that they wanted a lightshow that looked radically different from the one that h

USA - When the latest in a series of remodels stretching back two decades was completed in 2013 at the newly named AXIS at the Planet Hollywood resort in Las Vegas and it was announced that pop star Britney Spears had been signed to a two-year residency deal, no one - including gurus of the entertainment world, and even most of the crew - really expected it to last more than six months.
Today, with that residency wrapping up an overwhelmingly successful four-year run and other pop residencies having taken hold, the venue boasts the highest number of ticket sales in Las Vegas and, most weeks, the highest in the country. In a world of dizzying changes, one of the few constants has been the presence of DiGiCo consoles at both ends of the snake.
The other constant has been the presence of AXIS production supervision and head of audio Eric Fish. “When I first came in, thi

France - L-Acoustics has announced the appointment of industry expert Tony Szabo as head of application, touring. Tony will work directly with Florent Bernard, director of applications, touring to deploy the application strategy for the touring market and manage the touring applications team.
Tony will be a familiar face to many in the industry, his career spans 25 years - from monitor technician to FOH engineer, show controller, crew chief and senior FOH systems engineer, Tony has worked with the world’s top artists and festivals. Most recently, he served as senior systems engineer at L-Acoustics UK partner Adlib Audio Solutions, designing systems for tours and festivals as well as mentoring the systems engineer team and leading technology acquisition decisions.
“Tony’s extensive experience in key posts in the industry brings a unique and fresh perspective to le

UK - Overlooked by a dominating Nelson’s Column and The National Gallery, U2 premiered material from new album Songs Of Experience amongst a set of their greatest hits, at a free show for 7,000 fans in London’s Trafalgar Square on Saturday 11 November.
Introduced by the Mayor of London, Sadiq Khan, MTV Presents Trafalgar Square was the curtain-raiser to the following evening’s 24th annual MTV Europe Music Awards (EMAs) at The SSE Arena, Wembley, where the Irish four-piece were honoured with the Global Icon award.
Both events were graced by Stageco’s dedication as staging provider with Wim DeWolf and Mario Dockx handling the R&D, while Dirk De Decker managed both projects. For the U2 event, the Stageco crew of seven [plus local crew], headed by Stefaan Vandenbosch, negotiated one of the busiest tourist areas of the city to erect the company’s

Europe - Thirty-Six Robe BMFL Spots were workhorse moving lights on the recent Rolling Stones No Filter European tour, part of a spectacular and epic lighting design created by Patrick Woodroffe.
Patrick and associate designer Terry Cook of Woodroffe Bassett design (WBD) worked closely with stage architects Stufish on developing the show’s overall aesthetic.
With many moving lights on the rig, they sought a high-powered fixture to occupy four 'slots' just below the tops of four imposing 23m high by 11m wide monolithic video towers which define the performance space.
"Patrick and I needed a multi-functional fixture and knew the positions would be hard to access and given the complexity of CDM rules and regulations and the requirement that crew be able to access the fixtures safely - a lot of thought went into the process," explained Terry. “We decided o

Turkmenistan - Internationally renowned lighting designer, Durham Marenghi used more than 800 Claypaky fixtures to deliver the two large-scale lighting designs for the opening and closing ceremonies of the 2017 Asian Indoor and Martial Arts Games (AIMAG), produced by Balich Worldwide Shows, held this year at the Olympic Stadium in Ashgabat, Turkmenistan.
The ceremonies, broadcast on the 17 and 27 of September to 57 countries worldwide, featured giant projection-mapped sets, pyrotechnics and sweeping light displays. For the opening ceremony, over 7,600 performers told the history of the Silk Road through music and dance, culminating in the lighting of the games' 'cauldron' which burned throughout the 12-day event.
Marenghi, the designer behind the lighting for the Rio Olympics last year, specified a large Claypaky lighting package for the AIMAG ceremonies. The rig com

South Africa - The country’s first strictly dry hire company, Guquko Technical Rider, has been established by a young entrepreneur, Phumzile Sibanyoni. Guquko is the Zulu word meaning ‘to turn around’ or ‘to reform’, a pertinent name for a company that hopes to bring a fresh wind of change to the industry.
Making an investment of 12 Robe Spiiders, 24 Longman 4 Ups and Prolyte stage decks purchased from DWR Distribution, the objective of the company is to rent out high ticket line items that are specified by lighting designers on a daily basis.
“Because we were just starting out, we looked at gear that would be beneficial to the growth of Guquko,” said Phumzile. ”The company has started trading and with the Robe Spiiders currently high in demand on shows, their units are out already creating revenue.”
Duncan Riley of DWR says, “Phumzile was wi

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