Mark Knopfler gets lucky with DigitalSpots
5 August 2010
UK - Mark Knopfler's Get Lucky tour marks the first time video has ever been incorporated into his performance, projected courtesy of four Robe DigitalSpot 7000DTs.
The DigitalSpots were specified by lighting designer Simon Tutchener, who has been working with Knopfler since 2002 and completed his first major tour with him in 2005.
Tutchener specifically wanted a neat, tourable, flexible lightweight video solution that would integrate seamlessly - both physically and creatively - with the lighting.
The four units are rigged on the front lighting truss. They are soft-edged together and project one large image onto a 26ft wide by 16ft deep video screen hung on the back truss, which is covered by a pair of starcloth curtains for most of the show. They are controlled via ArtNet protocol over Ethernet from Tutchener's grandMA lighting console.
The video clips are all stored in the DigitalSpots' onboard media servers, uploaded via Ethernet. Tutchener uses a mixture of library images and specially created content - all of it abstract, subtle and intelligently crafted to blend seamlessly into the lightshow.
Footage is also taken from four surveillance style mini-cams (supplied by XL Video UK) dotted around the stage, plus one wireless camera from Broadcast RF. These are positioned on Knopfler's mic stand, on the drums and keyboards, with the wireless unit attached to the head stock of his Fender Stratocaster guitar.
The inputs of these are fed as composite video into the video capture cards of the DigitalSpots. They are also run through a DMX switcher which allows Tutchener to bring up the camera previews on a monitor and fade between them via the grandMA console.
"I think the DigitalSpot 7000DTs are a hugely powerful product that really makes a link between video and lighting," says Tutchener. "The reliability has really been proven over the last five months we've been using them."
Lighting technician Ewan Cameron has been looking after the video elements of the tour, starting in the US where he set everything up and continuing with Tutchener for the whole tour. He comments that the Picture Merge facility has worked extremely well and that the fixtures generally have been "great" for surviving the rigours of the road.
Bandit are supplying all the tour's lighting kit. Audio Rent from Switzerland are providing the sound equipment for Europe and the tour is production managed by UK based Kevin Hopgood.
Related Stories from LSi Online
18 March 2013
UK - Following the successful opening of SW19, London's newest rehearsal facility, the SW19 team has launched a complementary production company to provide turnkey solutions to the live events industry, To provide a ... More >>
18 March 2011
Belarus - Robe moving lights and DigitalSpots have been installed at the new Minsk Arena in the Belarus capital. It is part of a complex of buildings that includes the flagship 15,000 seat ice hockey arena, one of the ... More >>
17 December 2010
UK - Blackburn-based lighting rental company HSL continues its busy autumn/winter season supplying lights, Kinesys automation, projection and LED to the Orchestral Manoeuvres In the Dark(OMD) UK and European tour. It ... More >>
1 November 2010
USA - Almost three years in the making, Alan Parsons' 10-hour video series on sound recording is now available in a 3-DVD boxed set format. Narrated by actor and musician Billy Bob Thornton, the DVDs are divided into ... More >>
22 October 2010
UK - The 2010 Mark Knopfler Get Lucky World Tour continued a long relationship between Bandit Lites and the superstar. Designer Simon Tutchener once again called on Bandit UK CE Lester Cobrin to handle the ... More >>
European RDM and Developers Plugfest (24-26 April 2014)
Page 66: with a framing shutter system Also new is the latest in Robes DigitalSpot series the DigitalSpot 7100DT
Page 60: 600 LEDWash RGBW specifically for studio environments and the DigitalSpot 3500 DT is a more powerful
Page 21: , theatres, exhibitions and conferences. Also showing will be the DigitalSpot 3500 DT, a more powerful
Page 46: specifically for studio environments; while the DigitalSpot 3500 DT is a more powerful and fully
Page 24: , which their displayed alongside their Digital Spot 7000DT 3000DT, Robin 600E Spot and Robin 300
Page 95: All in one... Fr e e d o m t o D e s i gn DigitalSpot 3000 DT Digital Projection with numerous
Page 31: All in one... Fr e e d o m t o D e s i gn DigitalSpot 3000 DT Digital Projection with numerous
Page 90: Robe also showed its DigitalSpot 7000 and 3000 DT digital moving lights; its REDWash LED wash
Page 48: explains: “Principally it’s the DigitalSpot 7000 DT that’s really caught my eye. The whole rig is Robe
Page 5: DigitalSpot 3000 DT • Digital Moving Light with compact weight size and price • Packed with all