Colour Sound decorates Reading Festival with IMS

IMS is available in two versions - The Portable Touring range for indoor and temporary outdoor applications, and the Architectural range for permanent outdoor installations
8 October 2012
UK - This year's Reading Festival in the UK had some additional colour, courtesy of Colour Sound Experiment of London. Two weeks prior to the event the organizers decided to add lighting decoration to the general audience area. They called on Colour Sound whose design solution added 1500 metres and 1,500 lamps of TMB's IMS colour-changing festoon strings. The IMS (Intelligent Marquee Systems) rig was strung from an array of 6m high poles, suspended over the audience between the rear entrance and the main stage, arranged like spokes of a cartwheel. The individually DMX-controlled RGB IMS lamps were reminiscent of normal light bulbs hanging over the audience, but with each lamp acting as a low-resolution colour-changing 'pixel' for a dazzling display of video and graphics content. The system's 12 IMS Universe Drives were controlled with ArtNet using a Chamsys console.
"We chose IMS because of its unique, retro look, and its brightness," says Colour Sound's senior accounts manager, known to everyone as Fletch. "Outdoor gigs require more lumen output and IMS LED bulbs were the brightest we could find. Everything happened pretty quickly and TMB's 24/7 tech support was a huge help."
"The brightness and overall performance of IMS was better than we could have hoped for," says Colour Sound's managing director, Haydn Cruickshank. "We knew about the IMS system and when the opportunity arose we went for it. We plan to use the rig at Reading for the next two years and beyond. Meanwhile, we want to specify IMS on TV referrals."
(Jim Evans)
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Page 25: you really couldnt hear the join so Im definitely looking into opportunities to use it at the RSC said
Page 51: really exploit it for its full potential all Im really interested in is speed and position These guys
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Page 72: my words afterwards Its either arrogance indolence or just inexperience As Im preparing to take yet
Page 53: desks out there can do that Im using 42 16 stereo mixes plus comms and back line two channels for me One
Page 52: from the stage For once I dont have video control at the console and Im enjoying that though I do have
Page 97: audio remains a specialised niche Im not qualified to comment on whether AVB will work out for the video
Page 67: to achieve a striking and incredibly brave design One day I said to Michael Im not going to use specials
Page 58: was tough but worth it Best gig while working? Definitely Leonard Cohen Im still on the payroll and were set
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